The birdcage-gun is a target work of no-form, generated from the idea of no-consciousness or no-mind (a-mind), and created through a synthesis of worlds of no-mind forms in the hologram of the Absolute, testifying to the idea of the archaeology of blood (DNA), the chromosome network of numbers – the idea of octaves, of water tones, of water that remembers through the axiom of hydrogen and alveoli. The narrative nature of an object testifies to the idea of orgona, that is, of sexual, cosmic life energy, as well as the idea of love. Wars are defined by cosmogonic processes, by universal and cosmic laws, the law of three forces and three axes. The law of Trinity, the will of the Absolute. Sleepers kill other sleepers and that is a product of mechanicity. Man is a mechanical being as he lacks the idea of free will. The birdcage symbolizes the casemate, the caserns, the prison, the parliament, the museum. The gun symbolizes a dead bird flying, with the corresponding “music box” that reproduces the melodies of the singing birds. The installation is archetypal as it corresponds to the idea of parallel worlds. The obtained objectified image in the mind belongs to the idea of objectification rather than materialization. The gun itself is an expression of the sexual body, and the sexual body is a body of awareness and love.
Love and crime and punishment are ideas that correspond to Thanatos and Eros, to genotype and phenotype.